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Spirits
and Ghosts-
Journeys through Mongolia
Juila Calfee
4th December 2003- 10th January 2004
Looking at the changes and transitions in Mongolia since 1996,
Calfee's photographs address the issues and the problems of this
country in the post-Communist era. Her unflinching and haunting
images leave a strong sense of correspondence between the social
problems and the dark spirituality of this troubled land.
A 176 page hardback book published by powerHouse Books accompanies
the exhibition.
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Remembering
JFK
A Jacques Lowe Retrospective
17th October- 26th November 2003
Intimate and unseen portraits by the Kennedy's personal photographer
to commemorate the 40th anniversary of John F. Kennedy's death.
Of the late Jacques Lowe's 40,000 photos, only a few hundred have
ever been seen and all of his negatives, which were housed in a
vault in the World Trade Centre, were destroyed on September 11th
2001.
This is the first ever selling exhbition in the UK of Lowe's
Kennedy photographs. All prints are signed by the photographer and
available to purchase from £2,200 (plus vat). Please contact
printsales@tomblaugallery.com
for further details.
A 424 page hardback book published by Andre Deutsch also accompanies
the exhibition.
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Turn In
Martina Mullaney
17th September- 10th October 2003
The appearance of loneliness, manifest in so many aspects of life,
is the main thrust for this work by Martina Mullaney. Working in
night shelters and hostels for the homeless, she has produced a
series lavish and elegant large-scale colour prints, specifically
of the beds that are used by homeless people in these shelters.
These images initially appear luminous and seductive, yet upon closer
inspection the photographs reveal evidence of alienation and melancholy.
Martina Mullaney is an Irish artist who is resident in London.
She commenced an MA in Photography at the Royal College, London
in October 2002 and was recently awarded the Red Mansion Art Prize
which has resulted in a month long artist's residency in China.
"Turn In" at the Tom Blau Gallery is Martina's first solo London
show. A 48-page soft back book of the same name is published by
Ffotogallery Wales Ltd. priced £8 and accompanies the exhibition.
All work is available for sale. 122 cm x 122 cm Lambda prints mounted
on aluminium with an aluminium frame. Each piece is £2,000
+ VAT.
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The
Conquest Of Space
Camera Press Archive
14th August- 13th September 2003
Hovering uneasily on the borders between fact and fiction, "The
Conquest of Space" is a humourous yet telling look at our fantasies
of space exploration. The Camera Press Archive has a large collection
of images issued by NASA (the National Aeronautics and Space Administration)
of the USA in the years between the late 1960's and the mid 1970's.
This exhibtion includes photographs of ground staff, extraordinary
machines, artist's drawings and equipment tests as well as more
familiar images of astronauts and the first journey to the moon.
After forty years the images appear more fantastical than they did
in the Cold War era- looking at some of them we are irresistibly
reminded of a B-Movie set.
All of these rarely seen vintage prints are available for purchase,
from £200 ex. vat.For more information, or to order prints,
contact printsales@tomblaugallery.com
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Ian Parry
Memorial Awards
23 July - 9 August 2003
Patron: Don McCullin
This annual photographic competition is held in memory of Ian Parry
who was killed whilst covering the 1989 Romanian revolution for
the Sunday Times. He was 24 years of age. Sponsored by Nikon, the
Sunday Times Magazine, Metro Imaging and Tom Blau Gallery this is
a significant award for a young photographer.The winner for 2003
was London College of Printings' Leonie Purchas who entered a remarkable
and distinctive portfolio entitled 'The Labour of Hercules'. This
exhibition featured not only the winner and finalist's portfolios
but also a wide selection of single images from other entrants.
Pictured right is one of the winners images. Click on the title
above to view a selection of images from the exhibition.
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Me, Myself and Them
Jo Broughton
12 June- 16 July 2003
Fascinated by the way in which women often define themselves through
comparisons to other women, Jo Broughton's work asks the question
"How much are we like other people?" This intriguing exhibition
brings together two bodies of work, both of which deal with feminine
desire and denial. For the first series, "My ex-boyfriends
girlfriends", Broughton tracked down and photographed the current
girlfriends of several of her former boyfriends, presenting them
reclining in their nightwear on a bed gazing erotically at the camera.
For the second, "Virgins", she placed a "Virgins
Wanted" advertisement in Time Out magazine, stipulating that
all applicants willing to be photographed had to be over 20 years
old, proud of their virginity and wear clothes that made them feel
sexy.
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Caught On Camera
Camera Press Archive
10 April- 16 May 2003
The act of taking a photograph is something that is familiar to
most of us. Less common is for photographers themselves to be captured
on film.
This exhibtion of photogrpahers at work features street photojournalism,
fashion shoots, holiday snaps, family portraits and celebrity paparazzi
shots. It includes the famous-John Lennon seen filming with his
cine camera, style guru Cecil Beaton caught in a mirror reflection
whilst photographing the actress Katherine Hepburn- and the unknown.
Historical events such as Korean propaganda and a Ku Klux Klan rally
also contribute to this fascinating collection of rarely seen images.
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Coastline
Roy Mehta
16 January - 21 February 2003
Over the last seven years Roy Mehta has built an extraordinary
portrait of our coast and people, photographing throughout the United
Kingdom from Brighton to Tintagel, Southend to The Outer Hebrides.
As an island nation, the history and very identity of Britain is
inextricably linked with the sea. Mehta's images present afresh
the diversity of this heritage, with starkly beautiful landscapes
forming a counterpoint to intimate portraits of families, lovers,
friends and strangers. Whether communicating a sense of distance,
intimacy, affection, or regret, these images capture the universal
reflection that we inevitably feel when faced with the sea.
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